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The Middle Years by Henry James
New York Edition, 1909

NOTES: (1) Italics for emphasis indicated by upper case. Italicized foreign words and phrases are indicated thus: _Qui dort dine_. Accent marks in foreign words have been removed. (2) Numbers in parentheses indicate the beginning of each page in the 1909 New York Edition. (3) The New York Edition's spaces in contractions pronounced as two syllables have been removed in this etext. (4) To avoid the insertion of hard returns at the end of every line (which makes searching across line-breaks in downloaded files difficult), download with the HTML option, not the TXT option. Then paragraphs will be ended with hard returns and HTML tags, (capital P enclosed in angle-brackets).

Etext prepared by Richard Hathaway, SUNY New Paltz
Posted July 8, 2000. Proofreading by Sarah Koch (Skoch28879@aol.com).

Excerpt concerning "The Middle Years" from Henry James's Preface to Volume 16, pages v-vi:

What I had lately and most particularly to say of "The Coxon Fund" is no less true of "The Middle Years," first published in _Scribner's Magazine_ (1893)--that recollection mainly and most promptly associates with it the number of times I had to do it over to make sure of it. To get it right was to squeeze my subject into the five or six thousand words I had been invited to make it consist of--it consists, in fact, should the curious care to know, of some 5550--and I scarce perhaps recall another case, with the exception I shall presently name, in which my struggle to keep compression rich, if not, better still, to keep accretions compressed, betrayed for me such community with the anxious effort of some warden of the insane engaged at a critical moment in making fast a victim's straitjacket. The form of "The Middle Years" is not that of the nouvelle, but that of the concise anecdote; whereas the subject treated would perhaps seem one comparatively demanding "developments"--if indeed, amid these mysteries, distinctions were so absolute. (There is of course neither close nor fixed measure of the reach of a development, which in some connexions seems almost superfluous and then in others to represent the whole sense of the matter; and we should doubtless speak more thoroughly by book had we some secret for exactly tracing deflexions and returns.) However this may be, it was as an anecdote, an anecdote only, that I was determined my little situation here should figure; to which end my effort was of course to follow it as much as possible from its outer edge in, rather than from its centre outward. That fond formula, I had alas already discovered, may set as many traps in the garden as its opposite may set in the wood; so that after boilings and reboilings of the contents of my small cauldron, after added (vi) pounds of salutary sugar, as numerous as those prescribed in the choicest recipe for the thickest jam, I well remember finding the whole process and act (which, to the exclusion of everything else, dragged itself out for a month) one of the most expensive of its sort in which I had ever engaged.

But I recall, by good luck, no less vividly how much finer a sweetness than any mere spooned-out saccharine dwelt in the fascination of the questions involved. Treating a theme that "gave" much in a form that, at the best, would give little, might indeed represent a peck of troubles; yet who, none the less, beforehand, was to pronounce with authority such and such an idea anecdotic and such and such another developmental? One had, for the vanity of _a priori_ wisdom here, only to be so constituted that to see any form of beauty, for a particular application, proscribed or even questioned, was forthwith to covet that form more than any other and to desire the benefit of it exactly there. One had only to be reminded that for the effect of quick roundness the small smooth situation, though as intense as one will, is prudently indicated, and that for a fine complicated entangled air nothing will serve that does n't naturally swell and bristle--one had only, I say, to be so warned off or warned on, to see forthwith no beauty for the simple thing that should n't, and even to perversity, enrich it, and none for the other, the comparatively intricate, that should n't press it out as a mosaic. After which fashion the careful craftsman would have prepared himself the special inviting treat of scarce being able to say, at his highest infatuation, before any series, which might be the light thing weighted and which the dense thing clarified. The very attempt so to discriminate leaves him in fact at moments even a little ashamed; whereby let him shirk here frankly certain of the issues presented by the remainder of our company--there being, independently of these mystic matters, other remarks to make.


I [sic]

The April day was soft and bright, and poor Dencombe, happy in the conceit of reasserted strength, stood in the garden of the hotel, comparing, with a deliberation in which however there was still something of languor, the attractions of easy strolls. He liked the feeling of the south so far as you could have it in the north, he liked the sandy cliffs and the clustered pines, he liked even the colourless sea. "Bournemouth as a health-resort" had sounded like a mere advertisement, but he was thankful now for the commonest conveniences. The sociable country postman, passing through the garden, had just given him a small parcel which he took out with him, leaving the hotel to the right and creeping to a bench he had already haunted, a safe recess in the cliff. It looked to the south, to the tinted walls of the Island, and was protected behind by the sloping shoulder of the down. He was tired enough when he reached it, and for a moment was disappointed; he was better of course, but better, after all, than what? He should never again, as at one or two great moments of the past, be better than himself. The infinite of life was gone, and what remained of the dose a small glass scored like a thermometer by the apothecary. He sat and stared at the sea, which appeared all surface and (78) twinkle, far shallower than the spirit of man. It was the abyss of human illusion that was the real, the tideless deep. He held his packet, which had come by book-post, unopened on his knee, liking, in the lapse of so many joys--his illness had made him feel his age--to know it was there, but taking for granted there could be no complete renewal of the pleasure, dear to young experience, of seeing one's self "just out." Dencombe, who had a reputation, had come out too often and knew too well in advance how he should look.

His postponement associated itself vaguely, after a little, with a group of three persons, two ladies and a young man, whom, beneath him, straggling and seemingly silent, he could see move slowly together along the sands. The gentleman had his head bent over a book and was occasionally brought to a stop by the charm of this volume, which, as Dencombe could perceive even at a distance, had a cover alluringly red. Then his companions, going a little further, waited for him to come up, poking their parasols into the beach, looking around them at the sea and sky and clearly sensible of the beauty of the day. To these things the young man with the book was still more clearly indifferent; lingering, credulous, absorbed, he was an object of envy to an observer from whose connexion with literature all such artlessness had faded. One of the ladies was large and mature; the other had the spareness of comparative youth and of a social situation possibly inferior. The large lady carried back Dencombe's imagination to the age of crinoline; she wore a hat of the shape of (79) a mushroom, decorated with a blue veil, and had the air, in her aggressive amplitude, of clinging to a vanished fashion or even a lost cause. Presently her companion produced from under the folds of a mantle a limp portable chair which she stiffened out and of which the large lady took possession. This act, and something in the movement of either party, at once characterised the performers--they performed for Dencombe's recreation--as opulent matron and humble dependent. Where moreover was the virtue of an approved novelist if one couldn't establish a relation between such figures? the clever theory for instance that the young man was the son of the opulent matron and that the humble dependent, the daughter of a clergyman or an officer, nourished a secret passion for him. Was that not visible from the way she stole behind her protectress to look back at him?--back to where he had let himself come to a full stop when his mother sat down to rest. His book was a novel, it had the catchpenny binding; so that while the romance of life stood neglected at his side he lost himself in that of the circulating library. He moved mechanically to where the sand was softer and ended by plumping down in it to finish his chapter at his ease. The humble dependent, discouraged by his remoteness, wandered with a martyred droop of the head in another direction, and the exorbitant lady, watching the waves, offered a confused resemblance to a flying-machine that had broken down.

When his drama began to fail Dencombe remembered that he had after all another pastime. Though such promptitude on the part of the publisher was (80) rare he was already able to draw from its wrapper his "latest," perhaps his last. The cover of "The Middle Years" was duly meretricious, the smell of the fresh pages the very odour of sanctity; but for the moment he went no further--he had become conscious of a strange alienation. He had forgotten what his book was about. Had the assault of his old ailment, which he had so fallaciously come to Bournemouth to ward off, interposed utter blankness as to what had preceded it? He had finished the revision of proof before quitting London, but his subsequent fortnight in bed had passed the sponge over colour. He couldn't have chanted to himself a single sentence, couldn't have turned with curiosity or confidence to any particular page. His subject had already gone from him, leaving scarce a superstition behind. He uttered a low moan as he breathed the chill of this dark void, so desperately it seemed to represent the completion of a sinister process. The tears filled his mild eyes; something precious had passed away. This was the pang that had been sharpest during the last few years--the sense of ebbing time, of shrinking opportunity; and now he felt not so much that his last chance was going as that it was gone indeed. He had done all he should ever do, and yet hadn't done what he wanted. This was the laceration--that practically his career was over: it was as violent as a grip at his throat. He rose from his seat nervously--a creature hunted by a dread; then he fell back in his weakness and nervously opened his book. It was a single volume; he preferred single volumes and aimed at a rare compression. He began to read and, (81) little by little, in this occupation, was pacified and reassured. Everything came back to him, but came back with a wonder, came back above all with a high and magnificent beauty. He read his own prose, he turned his own leaves, and had as he sat there with the spring sunshine on the page an emotion peculiar and intense. His career was over, no doubt, but it was over, when all was said, with THAT.

He had forgotten during his illness the work of the previous year; but what he had chiefly forgotten was that it was extraordinarily good. He dived once more into his story and was drawn down, as by a siren's hand, to where, in the dim underworld of fiction, the great glazed tank of art, strange silent subjects float. He recognised his motive and surrendered to his talent. Never probably had that talent, such as it was, been so fine. His difficulties were still there, but what was also there, to his perception, though probably, alas! to nobody's else, was the art that in most cases had surmounted them. In his surprised enjoyment of this ability he had a glimpse of a possible reprieve. Surely its force wasn't spent--there was life and service in it yet. It hadn't come to him easily, it had been backward and roundabout. It was the child of time, the nursling of delay; he had struggled and suffered for it, making sacrifices not to be counted, and now that it was really mature was it to cease to yield, to confess itself brutally beaten? There was an infinite charm for Dencombe in feeling as he had never felt before that diligence _vincit omnia_. The result produced in his little book was somehow a result beyond his conscious intention: it was as if (82) he had planted his genius, had trusted his method, and they had grown up and flowered with this sweetness. If the achievement had been real, however, the process had been painful enough. What he saw so intensely to-day, what he felt as a nail driven in, was that only now, at the very last, had he come into possession. His development had been abnormally slow, almost grotesquely gradual. He had been hindered and retarded by experience, he had for long periods only groped his way. It had taken too much of his life to produce too little of his art. The art had come, but it had come after everything else. At such a rate a first existence was too short--long enough only to collect material; so that to fructify, to use the material, one should have a second age, an extension. This extension was what poor Dencombe sighed for. As he turned the last leaves of his volume he murmured "Ah for another go, ah for a better chance!"

The three persons drawing his attention to the sands had vanished and then reappeared; they had now wandered up a path, an artificial and easy ascent, which led to the top of the cliff. Dencombe's bench was halfway down, on a sheltered ledge, and the large lady, a massive heterogeneous person with bold black eyes and kind red cheeks, now took a few moments to rest. She wore dirty gauntlets and immense diamond ear-rings; at first she looked vulgar, but she contradicted this announcement in an agreeable off-hand tone. While her companions stood waiting for her she spread her skirts on the end of Dencombe's seat. The young man had gold spectacles, through which, with his finger still in his red-covered (83) book, he glanced at the volume, bound in the same shade of the same colour, lying on the lap of the original occupant of the bench. After an instant Dencombe felt him struck with a resemblance; he had recognised the gilt stamp on the crimson cloth, was reading "The Middle Years" and now noted that somebody else had kept pace with him. The stranger was startled, possibly even a little ruffled, to find himself not the only person favoured with an early copy. The eyes of the two proprietors met a moment, and Dencombe borrowed amusement from the expression of those of his competitor, those, it might even be inferred, of his admirer. They confessed to some resentment--they seemed to say: "Hang it, has he got it ALREADY? Of course he's a brute of a reviewer!" Dencombe shuffled his copy out of sight while the opulent matron, rising from her repose, broke out: "I feel already the good of this air!"

"I can't say I do," said the angular lady. "I find myself quite let down."

"I find myself horribly hungry. At what time did you order luncheon?" her protectress pursued.

The young person put the question by. "Doctor Hugh always orders it."

"I ordered nothing to-day--I'm going to make you diet," said their comrade.

"Then I shall go home and sleep. _Qui dort dine_!"

"Can I trust you to Miss Vernham?" asked Doctor Hugh of his elder companion.

"Don't I trust YOU?" she archly enquired.

"Not too much!" Miss Vernham, with her eyes (84) on the ground, permitted herself to declare. "You must come with us at least to the house," she went on while the personage on whom they appeared to be in attendance began to mount higher. She had got a little out of ear-shot; nevertheless Miss Vernham became, so far as Dencombe was concerned, less distinctly audible to murmur to the young man: "I don't think you realise all you owe the Countess!"

Absently, a moment, Doctor Hugh caused his gold-rimmed spectacles to shine at her. "Is that the way I strike you? I see--I see!"

"She's awfully good to us," continued Miss Vernham, compelled by the lapse of the other's motion to stand there in spite of his discussion of private matters. Of what use would it have been that Dencombe should be sensitive to shades hadn't he detected in that arrest a strange influence from the quiet old convalescent in the great tweed cape? Miss Vernham appeared suddenly to become aware of some such connexion, for she added in a moment: "If you want to sun yourself here you can come back after you've seen us home."

Doctor Hugh, at this, hesitated, and Dencombe, in spite of a desire to pass for unconscious, risked a covert glance at him. What his eyes met this time, as happened, was, on the part of the young lady, a queer stare, naturally vitreous, which made her remind him of some figure--he couldn't name it--in a play or a novel, some sinister governess or tragic old maid. She seemed to scan him, to challenge him, to say out of general spite: "What have you got to do with us?" At the same instant the rich humour (85) of the Countess reached them from above: "Come, come, my little lambs; you should follow your old _bergere_!" Miss Vernham turned away for it, pursuing the ascent, and Doctor Hugh, after another mute appeal to Dencombe and a minute's evident demur, deposited his book on the bench as if to keep his place, or even as a gage of earnest return, and bounded without difficulty up the rougher part of the cliff.

Equally innocent and infinite are the pleasures of observation and the resources engendered by the trick of analysing life. It amused poor Dencombe, as he dawdled in his tepid air-bath, to believe himself awaiting a revelation of something at the back of a fine young mind. He looked hard at the book on the end of the bench, but wouldn't have touched it for the world. It served his purpose to have a theory that shouldn't be exposed to refutation. He already felt better of his melancholy; he had, according to his old formula, put his head at the window. A passing Countess could draw off the fancy when, like the elder of the ladies who had just retreated, she was as obvious as the giantess of a caravan. It was indeed general views that were terrible; short ones, contrary to an opinion sometimes expressed, were the refuge, were the remedy. Doctor Hugh couldn't possibly be anything but a reviewer who had understandings for early copies with publishers or with newspapers. He reappeared in a quarter of an hour with visible relief at finding Dencombe on the spot and the gleam of white teeth in an embarrassed but generous smile. He was perceptibly disappointed at the eclipse of the (86) other copy of the book; it made a pretext the less for speaking to the quiet gentleman. But he spoke notwithstanding; he held up his own copy and broke out pleadingly: "DO say, if you have occasion to speak of it, that it's the best thing he has done yet!"

Dencombe responded with a laugh: "Done yet" was so amusing to him, made such a grand avenue of the future. Better still, the young man took HIM for a reviewer. He pulled out "The Middle Years" from under his cape, but instinctively concealed any telltale look of fatherhood. This was partly because a person was always a fool for insisting to others on his work. "Is that what you're going to say yourself?" he put to his visitor.

"I'm not quite sure I shall write anything. I don't, as a regular thing--I enjoy in peace. But it's awfully fine."

Dencombe just debated. If the young man had begun to abuse him he would have confessed on the spot to his identity, but there was no harm in drawing out any impulse to praise. He drew it out with such success that in a few moments his new acquaintance, seated by his side, was confessing candidly that the works of the author of the volumes before them were the only ones he could read a second time. He had come the day before from London, where a friend of his, a journalist, had lent him his copy of the last, the copy sent to the office of the journal and already the subject of a "notice" which, as was pretended there--but one had to allow for "swagger"--it had taken a full quarter of an hour to prepare. He (87) intimated that he was ashamed for his friend, and in the case of a work demanding and repaying study, of such inferior manners; and, with his fresh appreciation and his so irregular wish to express it, he speedily became for poor Dencombe a remarkable, a delightful apparition. Chance had brought the weary man of letters face to face with the greatest admirer in the new generation of whom it was supposable he might boast. The admirer in truth was mystifying, so rare a case was it to find a bristling young doctor--he looked like a German physiologist--enamoured of literary form. It was an accident, but happier than most accidents, so that Dencombe, exhilarated as well as confounded, spent half an hour in making his visitor talk while he kept himself quiet. He explained his premature possession of "The Middle Years" by an allusion to the friendship of the publisher, who, knowing he was at Bournemouth for his health, had paid him this graceful attention. He allowed he had been ill, for Doctor Hugh would infallibly have guessed it; he even went so far as to wonder if he mightn't look for some hygienic "tip" from a personage combining so bright an enthusiasm with a presumable knowledge of the remedies now in vogue. It would shake his faith a little perhaps to have to take a doctor seriously who could take HIM so seriously, but he enjoyed this gushing modern youth and felt with an acute pang that there would still be work to do in a world in which such odd combinations were presented. It wasn't true, what he had tried for renunciation's sake to believe, that all the combinations were exhausted. They weren't by any means (88)--they were infinite: the exhaustion was in the miserable artist.

Doctor Hugh, an ardent physiologist, was saturated with the spirit of the age--in other words he had just taken his degree; but he was independent and various, he talked like a man who would have preferred to love literature best. He would fain have made fine phrases, but nature had denied him the trick. Some of the finest in "The Middle Years" had struck him inordinately, and he took the liberty of reading them to Dencombe in support of his plea. He grew vivid, in the balmy air, to his companion, for whose deep refreshment he seemed to have been sent; and was particularly ingenuous in describing how recently he had become acquainted, and how instantly infatuated, with the only man who had put flesh between the ribs of an art that was starving on superstitions. He hadn't yet written to him--he was deterred by a strain of respect. Dencombe at this moment rejoiced more inwardly than ever that he had never answered the photographers. His visitor's attitude promised him a luxury of intercourse, though he was sure a due freedom for Doctor Hugh would depend not a little on the Countess. He learned without delay what type of Countess was involved, mastering as well the nature of the tie that united the curious trio. The large lady, an Englishwoman by birth and the daughter of a celebrated baritone, whose taste _minus_ his talent she had inherited, was the widow of a French nobleman and mistress of all that remained of the handsome fortune, the fruit of her father's earnings, that had constituted her dower. (89) Miss Vernham, an odd creature but an accomplished pianist, was attached to her person at a salary. The Countess was generous, independent, eccentric; she travelled with her minstrel and her medical man. Ignorant and passionate she had nevertheless moments in which she was almost irresistible. Dencombe saw her sit for her portrait in Doctor Hugh's free sketch, and felt the picture of his young friend's relation to her frame itself in his mind. This young friend, for a representative of the new psychology, was himself easily hypnotised, and if he became abnormally communicative it was only a sign of his real subjection. Dencombe did accordingly what he wanted with him, even without being known as Dencombe.

Taken ill on a journey in Switzerland the Countess had picked him up at an hotel, and the accident of his happening to please her had made her offer him, with her imperious liberality, terms that couldn't fail to dazzle a practitioner without patients and whose resources had been drained dry by his studies. It wasn't the way he would have proposed to spend his time, but it was time that would pass quickly, and meanwhile she was wonderfully kind. She exacted perpetual attention, but it was impossible not to like her. He gave details about his queer patient, a "type" if there ever was one, who had in connexion with her flushed obesity, and in addition to the morbid strain of a violent and aimless will, a grave organic disorder; but he came back to his loved novelist, whom he was so good as to pronounce more essentially a poet than many of those who went in for verse, with a zeal excited, (90) as all his indiscretion had been excited, by the happy chance of Dencombe's sympathy and the coincidence of their occupation. Dencombe had confessed to a slight personal acquaintance with the author of "The Middle Years," but had not felt himself as ready as he could have wished when his companion, who had never yet encountered a being so privileged, began to be eager for particulars. He even divined in Doctor Hugh's eye at that moment a glimmer of suspicion. But the young man was too inflamed to be shrewd and repeatedly caught up the book to exclaim: "Did you notice this?" or "Weren't you immensely struck with that?" "There's a beautiful passage toward the end," he broke out; and again he laid his hand on the volume. As he turned the pages he came upon something else, while Dencombe saw him suddenly change colour. He had taken up as it lay on the bench Dencombe's copy instead of his own, and his neighbour at once guessed the reason of his start. Doctor Hugh looked grave an instant; then he said: "I see you've been altering the text!" Dencombe was a passionate corrector, a fingerer of style; the last thing he ever arrived at was a form final for himself. His ideal would have been to publish secretly, and then, on the published text, treat himself to the terrified revise, sacrificing always a first edition and beginning for posterity and even for the collectors, poor dears, with a second. This morning, in "The Middle Years," his pencil had pricked a dozen lights. He was amused at the effect of the young man's reproach; for an instant it made him change colour. He stammered at any rate (91) ambiguously, then through a blur of ebbing consciousness saw Doctor Hugh's mystified eyes. He only had time to feel he was about to be ill again--that emotion, excitement, fatigue, the heat of the sun, the solicitation of the air, had combined to play him a trick, before, stretching out a hand to his visitor with a plaintive cry, he lost his senses altogether.

Later he knew he had fainted and that Doctor Hugh had got him home in a Bath-chair, the conductor of which, prowling within hail for custom, had happened to remember seeing him in the garden of the hotel. He had recovered his perception on the way, and had, in bed that afternoon, a vague recollection of Doctor Hugh's young face, as they went together, bent over him in a comforting laugh and expressive of something more than a suspicion of his identity. That identity was ineffaceable now, and all the more that he was rueful and sore. He had been rash, been stupid, had gone out too soon, stayed out too long. He oughtn't to have exposed himself to strangers, he ought to have taken his servant. He felt as if he had fallen into a hole too deep to descry any little patch of heaven. He was confused about the time that had passed--he pieced the fragments together. He had seen his doctor, the real one, the one who had treated him from the first and who had again been very kind. His servant was in and out on tiptoe, looking very wise after the fact. He said more than once something about the sharp young gentleman. The rest was vagueness in so far as it wasn't despair. The vagueness, however, justified itself by dreams, dozing anxieties from which he finally (92) emerged to the consciousness of a dark room and a shaded candle.

"You'll be all right again--I know all about you now," said a voice near him that he felt to be young. Then his meeting with Doctor Hugh came back. He was too discouraged to joke about it yet, but made out after a little that the interest was intense for his visitor. "Of course I can't attend you professionally--you've got your own man, with whom I've talked and who's excellent," Doctor Hugh went on. "But you must let me come to see you as a good friend. I've just looked in before going to bed. You're doing beautifully, but it's a good job I was with you on the cliff. I shall come in early to-morrow. I want to do something for you. I want to do everything. You've done a tremendous lot for me." The young man held his hand, hanging over him, and poor Dencombe, weakly aware of this living pressure, simply lay there and accepted his devotion. He couldn't do anything less--he needed help too much.

The idea of the help he needed was very present to him that night, which he spent in a lucid stillness, an intensity of thought that constituted a reaction from his hours of stupor. He was lost, he was lost--he was lost if he couldn't be saved. He wasn't afraid of suffering, of death, wasn't even in love with life; but he had had a deep demonstration of desire. It came over him in the long quiet hours that only with "The Middle Years" had he taken his flight; only on that day, visited by soundless processions, had he recognised his kingdom. He had had a revelation of (93) his range. What he dreaded was the idea that his reputation should stand on the unfinished. It wasn't with his past but with his future that it should properly be concerned. Illness and age rose before him like spectres with pitiless eyes: how was he to bribe such fates to give him the second chance? He had had the one chance that all men have--he had had the chance of life. He went to sleep again very late, and when he awoke Doctor Hugh was sitting at hand. There was already by this time something beautifully familiar in him.

"Don't think I've turned out your physician," he said; "I'm acting with his consent. He has been here and seen you. Somehow he seems to trust me. I told him how we happened to come together yesterday, and he recognises that I've a peculiar right."

Dencombe felt his own face pressing. "How have you squared the Countess?"

The young man blushed a little, but turned it off. "Oh never mind the Countess!"

"You told me she was very exacting."

Doctor Hugh had a wait. "So she is."

"And Miss Vernham's an _intrigante_."

"How do you know that?"

"I know everything. One HAS to, to write decently!"

"I think she's mad," said limpid Doctor Hugh.

"Well, don't quarrel with the Countess--she's a present help to you."

"I don't quarrel," Doctor Hugh returned. "But I don't get on with silly women." Presently he added: "You seem very much alone."

(94) "That often happens at my age. I've outlived, I've lost by the way."

Doctor Hugh faltered; then surmounting a soft scruple: "Whom have you lost?"

"Every one."

"Ah no," the young man breathed, laying a hand on his arm.

"I once had a wife--I once had a son. My wife died when my child was born, and my boy, at school, was carried off by typhoid."

"I wish I'd been there!" cried Doctor Hugh.

"Well--if you're here!" Dencombe answered with a smile that, in spite of dimness, showed how he valued being sure of his companions's [sic] whereabouts.

"You talk strangely of your age. You're not old."

"Hypocrite--so early!"

"I speak physiologically."

"That's the way I've been speaking for the last five years, and it's exactly what I've been saying to myself. It isn't till we ARE old that we begin to tell ourselves we're not."

"Yet I know I myself am young," Doctor Hugh returned.

"Not so well as I!" laughed his patient, whose visitor indeed would have established the truth in question by the honesty with which he changed the point of view, remarking that it must be one of the charms of age--at any rate in the case of high distinction--to feel that one has laboured and achieved. Doctor Hugh employed the common phrase about earning one's rest, and it made poor Dencombe for (95) an instant almost angry. He recovered himself, however, to explain, lucidly enough, that if, ungraciously, he knew nothing of such a balm, it was doubtless because he had wasted inestimable years. He had followed literature from the first, but he had taken a lifetime to get abreast of her. Only to-day at last had he begun to SEE, so that all he had hitherto shown was a movement without a direction. He had ripened too late and was so clumsily constituted that he had had to teach himself by mistakes.

"I prefer your flowers then to other people's fruit, and your mistakes to other people's successes," said gallant Doctor Hugh. "It's for your mistakes I admire you."

"You're happy--you don't know," Dencombe answered.

Looking at his watch the young man had got up; he named the hour of the afternoon at which he would return. Dencombe warned him against committing himself too deeply, and expressed again all his dread of making him neglect the Countess--perhaps incur her displeasure.

"I want to be like you--I want to learn by mistakes!" Doctor Hugh laughed.

"Take care you don't make too grave a one! But do come back," Dencombe added with the glimmer of a new idea.

"You should have had more vanity!" His friend spoke as if he knew the exact amount required to make a man of letters normal.

"No, no--I only should have had more time. I want another go."

(96) "Another go?"

"I want an extension."

"An extension?" Again Doctor Hugh repeated Dencombe's words, with which he seemed to have been struck.

"Don't you know?--I want to what they call 'live.' "

The young man, for good-bye, had taken his hand, which closed with a certain force. They looked at each other hard. "You WILL live," said Doctor Hugh.

"Don't be superficial. It's too serious!"

"You SHALL live!" Dencombe's visitor declared, turning pale.

"Ah that's better!" And as he retired the invalid, with a troubled laugh, sank gratefully back.

All that day and all the following night he wondered if it mightn't be arranged. His doctor came again, his servant was attentive, but it was to his confident young friend that he felt himself mentally appeal. His collapse on the cliff was plausibly explained and his liberation, on a better basis, promised for the morrow; meanwhile, however, the intensity of his meditations kept him tranquil and made him indifferent. The idea that occupied him was none the less absorbing because it was a morbid fancy. Here was a clever son of the age, ingenious and ardent, who happened to have set him up for connoisseurs to worship. This servant of his altar had all the new learning in science and all the old reverence in faith; wouldn't he therefore put his knowledge at the disposal of his sympathy, his craft at the disposal of his love? Couldn't he be trusted to invent a remedy (97) for a poor artist to whose art he had paid a tribute? If he couldn't the alternative was hard: Dencombe would have to surrender to silence unvindicated and undivined. The rest of the day and all the next he toyed in secret with this sweet futility. Who would work the miracle for him but the young man who could combine such lucidity with such passion? He thought of the fairy-tales of science and charmed himself into forgetting that he looked for a magic that was not of this world. Doctor Hugh was an apparition, and that placed him above the law. He came and went while his patient, who now sat up, followed him with supplicating eyes. The interest of knowing the great author had made the young man begin "The Middle Years" afresh and would help him to find a richer sense between its covers. Dencombe had told him what he "tried for"; with all his intelligence, on a first perusal, Doctor Hugh had failed to guess it. The baffled celebrity wondered then who in the world WOULD guess it: he was amused once more at the diffused massive weight that could be thrown into the missing of an intention. Yet he wouldn't rail at the general mind to-day--consoling as that ever had been: the revelation of his own slowness had seemed to make all stupidity sacred.

Doctor Hugh, after a little, was visibly worried, confessing, on enquiry, to a source of embarrassment at home. "Stick to the Countess--don't mind me," Dencombe said repeatedly; for his companion was frank enough about the large lady's attitude. She was so jealous that she had fallen ill--she resented such a breach of allegiance. She paid so much for (98) his fidelity that she must have it all: she refused him the right to other sympathies, charged him with scheming to make her die alone, for it was needless to point out how little Miss Vernham was a resource in trouble. When Doctor Hugh mentioned that the Countess would already have left Bournemouth if he hadn't kept her in bed, poor Dencombe held his arm tighter and said with decision: "Take her straight away." They had gone out together, walking back to the sheltered nook in which, the other day, they had met. The young man, who had given his companion a personal support, declared with emphasis that his conscience was clear--he could ride two horses at once. Didn't he dream for his future of a time when he should have to ride five hundred? Longing equally for virtue, Dencombe replied that in that golden age no patient would pretend to have contracted with him for his whole attention. On the part of the Countess wasn't such an avidity lawful? Doctor Hugh denied it, said there was no contract, but only a free understanding, and that a sordid servitude was impossible to a generous spirit; he liked moreover to talk about art, and that was the subject on which, this time, as they sat together on the sunny bench, he tried most to engage the author of "The Middle Years." Dencombe, soaring again a little on the weak wings of convalescence and still haunted by that happy notion of an organised rescue, found another strain of eloquence to plead the cause of a certain splendid "last manner," the very citadel, as it would prove, of his reputation, the stronghold into which his real treasure would be gathered. While (99) his listener gave up the morning and the great still sea ostensibly waited he had a wondrous explanatory hour. Even for himself he was inspired as he told what his treasure would consist of; the precious metals he would dig from the mine, the jewels rare, strings of pearls, he would hang between the columns of his temple. He was wondrous for himself, so thick his convictions crowded, but still more wondrous for Doctor Hugh, who assured him none the less that the very pages he had just published were already encrusted with gems. This admirer, however, panted for the combinations to come and, before the face of the beautiful day, renewed to Dencombe his guarantee that his profession would hold itself responsible for such a life. Then he suddenly clapped his hand upon his watch-pocket and asked leave to absent himself for half an hour. Dencombe waited there for his return, but was at last recalled to the actual by the fall of a shadow across the ground. The shadow darkened into that of Miss Vernham, the young lady in attendance on the Countess; whom Dencombe, recognising her, perceived so clearly to have come to speak to him that he rose from his bench to acknowledge the civility. Miss Vernham indeed proved not particularly civil; she looked strangely agitated, and her type was now unmistakeable.

"Excuse me if I do ask," she said, "whether it's too much to hope that you may be induced to leave Doctor Hugh alone." Then before our poor friend, greatly disconcerted, could protest: "You ought to be informed that you stand in his light--that you may do him a terrible injury."

(100) "Do you mean by causing the Countess to dispense with his services?"

"By causing her to disinherit him." Dencombe stared at this, and Miss Vernham pursued, in the gratification of seeing she could produce an impression: "It has depended on himself to come into something very handsome. He has had a grand prospect, but I think you've succeeded in spoiling it."

"Not intentionally, I assure you. Is there no hope the accident may be repaired?" Dencombe asked.

"She was ready to do anything for him. She takes great fancies, she lets herself go--it's her way. She has no relations, she's free to dispose of her money, and she's very ill," said Miss Vernham for a climax.

"I'm very sorry to hear it," Dencombe stammered.

"Wouldn't it be possible for you to leave Bournemouth? That's what I've come to see about."

He sank to his bench. "I'm very ill myself, but I'll try!"

Miss Vernham still stood there with her colourless eyes and the brutality of her good conscience. "Before it's too late, please!" she said; and with this she turned her back, in order, quickly, as if it had been a business to which she could spare but a precious moment, to pass out of his sight.

Oh yes, after this Dencombe was certainly very ill. Miss Vernham had upset him with her rough fierce news; it was the sharpest shock to him to discover what was at stake for a penniless young man of fine parts. He sat trembling on his bench, staring at the waste of waters, feeling sick with the directness of the blow. He was indeed too weak, too unsteady, (101) too alarmed; but he would make the effort to get away, for he couldn't accept the guilt of interference and his honour was really involved. He would hobble home, at any rate, and then think what was to be done. He made his way back to the hotel and, as he went, had a characteristic vision of Miss Vernham's great motive. The Countess hated women of course--Dencombe was lucid about that; so the hungry pianist had no personal hopes and could only console herself with the bold conception of helping Doctor Hugh in order to marry him after he should get his money or else induce him to recognise her claim for compensation and buy her off. If she had befriended him at a fruitful crisis he would really, as a man of delicacy--and she knew what to think of that point--have to reckon with her.

At the hotel Dencombe's servant insisted on his going back to bed. The invalid had talked about catching a train and had begun with orders to pack; after which his racked nerves had yielded to a sense of sickness. He consented to see his physician, who immediately was sent for, but he wished it to be understood that his door was irrevocably closed to Doctor Hugh. He had his plan, which was so fine that he rejoiced in it after getting back to bed. Doctor Hugh, suddenly finding himself snubbed without mercy, would, in natural disgust and to the joy of Miss Vernham, renew his allegiance to the Countess. When his physician arrived Dencombe learned that he was feverish and that this was very wrong: he was to cultivate calmness and try, if possible, not to think. For the rest of the day he wooed stupidity; but there (102) was an ache that kept him sentient, the probable sacrifice of his "extension," the limit of his course. His medical adviser was anything but pleased; his successive relapses were ominous. He charged this personage to put out a strong hand and take Doctor Hugh off his mind--it would contribute so much to his being quiet. The agitating name, in his room, was not mentioned again, but his security was a smothered fear, and it was not confirmed by the receipt, at ten o'clock that evening, of a telegram which his servant opened and read him and to which, with an address in London, the signature of Miss Vernham was attached. "Beseech you to use all influence to make our friend join us here in the morning. Countess much the worse for dreadful journey, but everything may still be saved." The two ladies had gathered themselves up and had been capable in the afternoon of a spiteful revolution. They had started for the capital, and if the elder one, as Miss Vernham had announced, was very ill, she had wished to make it clear that she was proportionately reckless. Poor Dencombe, who was not reckless and who only desired that everything should indeed be "saved," sent this missive straight off to the young man's lodging and had on the morrow the pleasure of knowing that he had quitted Bournemouth by an early train.

Two days later he pressed in with a copy of a literary journal in his hand. He had returned because he was anxious and for the pleasure of flourishing the great review of "The Middle Years." Here at least was something adequate--it rose to the occasion; it was an acclamation, a reparation, a critical attempt (103) to place the author in the niche he had fairly won. Dencombe accepted and submitted; he made neither objection nor enquiry, for old complications had returned and he had had two dismal days. He was convinced not only that he should never again leave his bed, so that his young friend might pardonably remain, but that the demand he should make on the patience of beholders would be of the most moderate. Doctor Hugh had been to town, and he tried to find in his eyes some confession that the Countess was pacified and his legacy clinched; but all he could see there was the light of his juvenile joy in two or three of the phrases of the newspaper. Dencombe couldn't read them, but when his visitor had insisted on repeating them more than once he was able to shake an unintoxicated head. "Ah no--but they would have been true of what I COULD have done!"

"What people 'could have done' is mainly what they've in fact done," Doctor Hugh contended.

"Mainly, yes; but I've been an idiot!" Dencombe said.

Doctor Hugh did remain; the end was coming fast. Two days later his patient observed to him, by way of the feeblest of jokes, that there would now be no question whatever of a second chance. At this the young man stared; then he exclaimed: "Why it has come to pass--it has come to pass! The second chance has been the public's--the chance to find the point of view, to pick up the pearl!"

"Oh the pearl!" poor Dencombe uneasily sighed. A smile as cold as a winter sunset flickered on his (104) drawn lips as he added: "The pearl is the unwritten--the pearl is the unalloyed, the REST, the lost!"

From that hour he was less and less present, heedless to all appearance of what went on round him. His disease was definitely mortal, of an action as relentless, after the short arrest that had enabled him to fall in with Doctor Hugh, as a leak in a great ship. Sinking steadily, though this visitor, a man of rare resources, now cordially approved by his physician, showed endless art in guarding him from pain, poor Dencombe kept no reckoning of favour or neglect, betrayed no symptom of regret or speculation. Yet toward the last he gave a sign of having noticed how for two days Doctor Hugh hadn't been in his room, a sign that consisted of his suddenly opening his eyes to put a question. Had he spent those days with the Countess?

"The Countess is dead," said Doctor Hugh. "I knew that in a particular contingency she wouldn't resist. I went to her grave."

Dencombe's eyes opened wider. "She left you 'something handsome'?"

The young man gave a laugh almost too light for a chamber of woe. "Never a penny. She roundly cursed me."

"Cursed you?" Dencombe wailed.

"For giving her up. I gave her up for YOU. I had to choose," his companion explained.

"You chose to let a fortune go?"

"I chose to accept, whatever they might be, the consequences of my infatuation," smiled Doctor Hugh. Then as a larger pleasantry: "The fortune (105) be hanged! It's your own fault if I can't get your things out of my head."

The immediate tribute to his humour was a long bewildered moan; after which, for many hours, many days, Dencombe lay motionless and absent. A response so absolute, such a glimpse of a definite result and such a sense of credit, worked together in his mind and, producing a strange commotion, slowly altered and transfigured his despair. The sense of cold submersion left him--he seemed to float without an effort. The incident was extraordinary as evidence, and it shed an intenser light. At the last he signed to Doctor Hugh to listen and, when he was down on his knees by the pillow, brought him very near. "You've made me think it all a delusion."

"Not your glory, my dear friend," stammered the young man.

"Not my glory--what there is of it! It IS glory--to have been tested, to have had our little quality and cast our little spell. The thing is to have made somebody care. You happen to be crazy of course, but that doesn't affect the law."

"You're a great success!" said Doctor Hugh, putting into his young voice the ring of a marriage-bell.

Dencombe lay taking this in; then he gathered strength to speak once more. "A second chance--THAT'S the delusion. There never was to be but one. We work in the dark--we do what we can--we give what we have. Our doubt is our passion and our passion is our task. The rest is the madness of art."

(106) "If you've doubted, if you've despaired, you've always 'done' it," his visitor subtly argued.

"We've done something or other," Dencombe conceded.

"Something or other is everything. It's the feasible. It's YOU!"

"Comforter!" poor Dencombe ironically sighed.

"But it's true," insisted his friend.

"It's true. It's frustration that doesn't count."

"Frustration's only life," said Doctor Hugh.

"Yes, it's what passes." Poor Dencombe was barely audible, but he had marked with the words the virtual end of his first and only chance.

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