|
|
|||||||||||||||||||
|
Acknowledgments My approach is informed by a recent doctoral study of death in James's fiction and by my teaching experience on a Humanities Computing / Digital Culture programme. Many of the arguments summarised here were first developed in discussions with my supervisors and examiners, through conference papers, and with colleagues. Thanks to Laurel Brake, Stephen Connor, Vanda Corrigan, Julia Kuehn, Peter Rawlings, Richard Salmon, Megan Stern, and Pamela Thurschwell. Richard Hathaway and Gert Buelens also provided helpful feedback and encouragement. |
||||||||||||||||||
|
|
|||||||||||||||||||