In 2013, Sandro decided to do a project honoring the men and women whose photographs helped shape his career. After selecting thirty-five images to emulate, Sandro contacted Malkovich, who instantly agreed to participate. When speaking about Malkovich, Sandro states: “John is the most brilliant, prolific person I know. His genius is unparalleled. I can suggest a mood or an idea and within moments, he literally morphs into the character right in front of my eyes. He is so trusting of my work and our process… I’m truly blessed to have him as my friend and collaborator.”
Sandro Miller: Malkovich, Malkovich, Malkovich: Homage to photographic masters | Catherine Edelman Gallery.
Art History Department Chair, Kerry Dean Carso, will give a talk, Landscapes of Nationalism and the Roots of Conservation in 19th-Century America, as part of the celebrations for Wilderness 50. Learn about American landscape paintings of the period and how they relate to both the formation of national identity and the roots of the conservation movement.
SUNY New Paltz, Sept 22, 2014, LC104, 7 pm
Four works by major artists of the Hudson River School were issued as postage stamps by the U.S. Postal Service in August 2014. They are the 12th issuance in the series, American Treasures.
When the Samuel Dorsky Museum of Art at SUNY New Paltz exhibited The Hudson River to Niagara Falls: 19th-century American Landscape Paintings from the New-York Historical Society, back in 2009 during the Hudson 400 celebrations, the Museum and the Art History Department organized a companion symposium Revisiting the Hudson: Nineteenth-century Landscape Painting in Context. Click the link for a flickr photo album of pictures from this event.
Organizer Prof. Kerry Dean Carso, now Art History Department Chair, has announced that the papers from this symposium will go to press. Watch this space for more news.
Hudson River School, Forever® | USPS Stamps.
Another group of creative responses to Prof. Keely Heuer’s challenge
to her Art of the Western World I students: Become a Masterpiece!
Celebrating Student Research
Last week, the Art History Association of SUNY New Paltz held its 17th annual Art History Symposium, Copy and Paste: The Origin and Appropriation of Artistic Ideas. Great job Art History Assocation and faculty advisor, Prof. Jaclynne Kerner!
From the AHA’s facebook:
“This year’s symposium is a hybrid of 5 student speakers and a keynote – all speaking on different topics connecting to the reuse of artistic ideas and techniques.”
Elle Riccardi – “From Ivory to Copper: The Appropriation of Islamic Motifs by Christian Craftsmen”
Rachel Beaudoin – “Pseudo Arabic Inscriptions in Italian Renaissance Painting”
Mary Cooney – “Vincent van Gogh and Japan”
Elaina Manley – “Marcel Duchamp: The Inspiration and Appropriation of Ideas and Styles”
Brianna Rascoe – “The Appropriation of the American Flag”
Dr. Mrinalini Rajagopalan, Professor at University of Pittsburgh – “What Practical Use is There in These Reproductions?”
The symposium was preceded by a buffet dinner for all the speakers, Art History majors and other students, as well as faculty and Dean of Fine and Performing Arts, Paul Kassel. It was to a great opportunity for faculty and students to interact. The buffet was funded by a College Auxilliary Services grant through the Office of the Dean of Fine and Performing Arts. Dean Kassel also generously provided funds to hire a videographer to record the entire symposium. Watch this space!
Audio Arts | Tate.
Inlay (reverse) for Audio Arts Volume 8 Nos 2 and 3 published in 1987
Archive reference: TGA200414/7/3 Volume 8 Nos 2 and 3
© William Furlong
So this is a blog focusing on visual material, but an importrant archive of audio capturing artists’ in their own words, as well as some soundworks and performances, has been released online by the Tate Archive.
For over 30 years, from 1973-2004, Audio Arts magazine was produced and distributed on audio cassettes. Founded by British artist Bill Furlong, it was conceived as a magazine of audio focused on the British and international contemporary art scene. Some images from the cassette inlays are featured here.
As old formats become obsolete, or the machines that can play them become ever more scarce, online archives such as the Tate’s ensures that the valuable content of these documents is made available to a new generation of artists, enthusiasts and scholars.
Here’s a photo of the inlay from an issue featuring an Andy Warhol interview in the year of his death, and Gilbert and George at the Venice Biennale.
“Put on your thinking caps, and call upon the Muses…the Idea: create a living work of art by replicating famous objects from the past and photograph yourself doing so. At the very least, you must be in the picture, but you can recruit friends and family to join you as well. The only limit is your imagination.”
This past Fall, we in the Art History department welcomed Keely Heuer to the faculty as our specialist in ancient art.
Professor Heuer’s energetic and engaging teaching included a delightful extra credit project, Becoming a Masterpiece, for her students in Art of the Western I survey.
This past Wednesday, November 20, The Art History Association of SUNY New Paltz, a student club of the Student Association, hosted a talk by Brandeis University Professor Nancy Scott on American artist, Georgia O’Keeffe, entitled “Ladder to the Moon: Georgia O’Keeffe and the American Southwest.”
Prof. Scott offered new insight about O’Keeffe’s later work grounded in new research based on the painter’s voluminous correspondence with husband, photographer and influential gallerist, Alfred Stieglitz, and others. Prof. Scott’s forthcoming book on O’Keeffe will be published by Reaktion Books.