| Teaching | Research/Publication |
| Grants | Papers and Panels |
| Service | Courses Taught |
| Professional Development | Professional Associations |
MFA May '83 Florida State University/Asolo Conservatory
Thesis Performance: Edmund Kean: A Muse of Fire
BA May '81 Miami University of Ohio
Theater and Communications
Sept. '04 - Present
Associate Professor/Head of Performance in the Department of Theatre Arts, School of Fine and Performing Arts. Direct productions; Coach student actors; Recruit students; Teach acting (all levels); Advise students; Serve on Departmental, College, and University Committees.
Major Accomplishments
Acting: An Introduction to the Art and Craft of Playing. Allyn & Bacon. Boston, 2007.
Assistant
Professor of Theatre Arts in the College of Arts and Sciences. Direct
mainstage productions; Coach student actors; Recruit students; Teach acting (all
levels), graduate seminar in acting theory; Advise students;
Serve on Departmental, College, and University Committees.
2000-2003--Director of Undergraduate Studies—Responsible for recruitment and retention,
advising, curriculum, website maintenance; represent Department at College
meetings.
Founded Asylum Theatre Company—professional repertory ensemble performing on Long Island and New York City
Revised and redefined undergraduate mission and curriculum, focusing on collaboration, group learning, and creativity
Designed and implemented new course THR 100: Performing and Performance
Aug. '93-May '98
Assistant Professor of Theatre Arts in the Slane College of Communications and Fine Arts. Head of Acting Program; Direct mainstage productions; Perform in mainstage productions; Direct touring production; Recruit students; Teach all levels of acting, stage movement,
senior seminar in performance studies, theatre appreciation (summer/interim sessions), team-teach introduction to theatre for majors/minors; Advise students; Serve on Departmental, College, and University Committees.
Major Accomplishments
Designed and implemented new curriculum for the Performance Concentration
Redesigned and developed recruiting program, implemented database management program, more than doubling enrollment of incoming classes in two years
Adapted and directed, and organized productions of The Shakespeare Company, a touring group designed to introduce Shakespeare to underserved junior and high school
students
Professional Studio, New York, NY
Jan. '91-May '93
Weekly scene study class with working professional actors, emphasizing styles
and techniques, auditions, career support; Bring in playwrights once a month for
work on new material; Produce periodic showcases in conjunction with other theatre organizations.
The Anglo-American International School, New York, NY
Sept. '91-June '93
Director of Drama; Creative Wing Chair. Teach International Baccalaureate Theatre Arts,
Improvisation and Theatre Games; Direct/Design productions; Develop curriculum.
Major Accomplishments
Rebuilt entire theatre program, created curriculum, developed production program, participated in design and building of dedicated studio theatre facility
Participated in pilot program for the I.B. Theatre Arts program, developing curriculum, and generating assessment criteria
Ensemble Theatre Community School, Eagles Mere, PA
1989-93
Six-week summer program for high school students. Teach beginning acting and
improvisation technique; Direct productions; Lead workshops in fencing, auditioning, and
playwriting; Advise students; Develop curriculum; Design workshop for theater educators.
Ghost Light Theatre, New York, NY
1988-90
Nonprofit theater company. Teach acting, scene study for professional actors; Direct some productions; Write plays; Write sketches for showcase productions;
Manage financial and administrative activities, publicity, development
Major Accomplishment
Acting: An Introduction to the Art and Craft of Playing
. Allyn & Bacon. Boston. Expected publication January 2005. "Random Acts." in Method Acting Reconsidered: Theory, Practice, Future. Ed. David Krasner. New York. St. Martin’s Press, 2000.
Refereed Articles
"The Four Fundamental Verbs: An Approach to Playing Actions." Theatre Topics. 9 (1999): 181-195
Abstracts/Book Reviews
"John Barrymore: Shakespearean Actor." Book Review. Theatre History Studies. 18 (1998): 173-174.
Miscellaneous Published Materials
Rationale Task Force. Theatre Studies in Higher Education: Learning for a Lifetime. Booklet. Association for Theatre in Higher Education. August 1997.Editorship
The Players' Journal For and by members of the community of actors and acting teachers. Managing Editor. 2005-Present.
The Beat: The Official Newsletter for the Acting Program Focus Group of the Association
for Theatre in Higher Education. 1992-1998
Papers and Panels
Invited Lectures and Papers
"Acting Teaching/Teaching Acting." Presenter. Performance Studies Conference. University of Massachusetts. Amherst, MA. 2-4 June 2005.
"Prime Performance: Taking and Eliciting Effective Action.” Performing the World Conference. Montauk, NY. 13 October 2001
"The First Folio Approach.” Presenter. Millennial Shakespeare: Performance/Text/Scholarship Conference. Hofstra University. Westbury, New York. 11 November 1999.
Conference Papers/Presentations
"Build Your Best Case: The External File." Presenter. Association for Theatre in Higher Education Conference. Chicago. 31 July - 2 August 2006.
"Class War." Actor. Ten-minute Playwriting Competition. Association for Theatre in Higher Education Conference. San Francisco. 28-31 July 2005.
"The Circle-A tool for generating organic blocking in rehearsal." Panel participant. Association for Theatre in Higher Education Conference. San Francisco. 28-31 July 2005.
"Adjudicated Workshop of Debut and Adapted Acting Exercises." Adjudicator. Association for Theatre in Higher Education Conference. San Francisco. 28-31 July 2005.
"Staging and Performing Intimacy." Panel Chair
and participant. Session Coordinator. Association for Theatre in Higher Education Conference. Toronto, Canada. 29 July - 1 August 2004."Now What? Training Actors to Bridge the Gap Between Improv and Text.” Panel Participant. Association for Theatre in Higher Education Conference. New York, NY. 31 July -3 August 2003.
"The BA(sics): Actor Training for the Liberal Artist." Panel Participant. Session Coordinator. Association for Theatre in Higher Education Conference. Washington, DC. 2-5 August 2000.
"Wreaking Havoc: Creating Violence Through Collaboration of Acting, Voice and Movement." Panel Participant. Association for Theatre in Higher Education Conference. Washington, DC. 2-5 August 2000.
“Symphony of Silence.” Actor. Ten-minute Playwriting Competition. Association for Theatre in Higher Education Conference. Toronto, Ontario. 26 July-1 August, 1999.
"Surviving the Masterclass at the On-campus Interview." Panel Chair. Association for Theatre in Higher Education Conference. San Antonio, TX. 9-11 August 1998.
"Will Theatre Survive? A Rationale for Theatre in Higher Education." Panel participant. Association for Theatre in Higher Education Conference. Chicago, IL. 5-9 August 1997.
"Negotiating the Creative Relationship: Teaching and Directing Students." 1996 Illinois Theatre Association Conference. Chicago, IL. 5-6 October 1996."Emotion and the American Acting Student: Multidisciplinary Perspectives," panel participant. 1996 Conference of the Association for Theatre in Higher Education. New York City, NY. 7-10 August 1996.
"Shakespeare Unplugged!" workshop on performing Shakespeare. Illinois High School Theatre Festival. Illinois State University, Normal, IL. 5 January 1996.
"The First Folio in Performance: an Actor's Perspective," paper presented; "A Master Shakespeare Class with Patrick Tucker--the Monologue," Workshop Chair. 1995 Conference of the Association for Theatre in Higher Education. San Francisco, CA. 9-12 August 1995.
"The Peer Review Process: Peer Reviews for Actors and Teachers of Actors;" panel participant. 1995 Mid-American Theatre Conference. Kansas City, KS. 17 March 1995.
"Tales from the Script: Surviving as an Actor in New York City," presentation at the Illinois High School Theatre Festival. University of Illinois, Champaign, IL. 4-5 January 1995.
"I Am not an Island: Integrating Voice, Movement, and Acting in the Classroom and Curriculum," Panel Chair; 1994 Conference of the Association for Theatre in Higher Education. Chicago, IL. 27-30 July 1994.
"A Master Shakespeare Class with Patrick Tucker," Workshop Chair. 1994 Conference of the Association for Theatre in Higher Education. Chicago, IL. 27-30 July 1994.
"Secrets of Screen Acting with Patrick Tucker," Workshop Chair. 1994 Conference of the Association for Theatre in Higher Education. Chicago, IL. 27-30 July 1994.
"Reaching Equilibrium: 21st Century Acting Theory," Paper presented at the 1993 Conference of the Association for Theatre in Higher Education, Philadelphia, PA. 4-7 August 1993.
"Have at You! Dueling as an Acting Method and a Metaphor for the Dramatic Illusion," Workshop presented at the 1992 Conference of the Association for Theatre in Higher Education. Atlanta, GA. 12-15 August 1992.
"An Overview of Theatre, Censorship and Art Education," paper and workshop presented March 1991 at the Arts Festival of The Chapin School, New York, NY. 25 April 1991.
GRANTS
External Grants$4,000 – Production grant. Oberon Foundation. Two Rooms. Produced by Asylum Theatre Company. September 2003
$976 - Arts Decentralization grant. Suffolk County. what remains: long island voices of 9/11. Produced and created by Asylum Theatre Company. December 2001
$2,000 - Arts Decentralization grant. Huntington Arts Council. what remains: long island voices of 9/11. Produced and created by Asylum Theatre Company. December 2001.
$3,000 - Performance grant to fund Taller. Produced by Asylum Theatre Company. Oberon Foundation. 15 July 2001.
$854 - Performing Arts Tour of The Shakespeare Company to under-served secondary schools. Peoria Area Arts and Science Council Arts Regranting Program. December, 1994.
Internal/University Program Grants
$1,100 - Combined Individual Development Award (UUP), School of Fine and Performing Arts, and Department of Theatre Arts grant for one-week residency with "Everybody Loves Raymond." CBS Television. Los Angeles, CA. 6-10 December 2004.
$1,700 - Combined grant to participate in the Teacher Development Workshop. The Actor's Center. New York, NY. United University Professionals Professional Development Award, Dean Discretionary Fund (College of Arts and Sciences), Department of Theatre Arts Travel fund. 12-23 June 2000.$400 - Combined grant to attend the Webster University Theatre Movement Institute. Instructional Improvement & Innovation Grant - $200. College of Fine Arts - $100. Department of Theatre Arts - $100. Bradley University. July 1995.
$2250 - Combined grant to facilitate Bradley University production of Lysa Strata, including fee for composer Michael Leslie, fee for Women/Minorities guest lecturer Willa Taylor, and equipment rental. Research Excellence Committee - $1200. Iben Lectureship/Department of Theatre Arts - $1050. Bradley University. November 1994.
$1500 - Combined grant to bring guest lecturer Willa Taylor (Educational Director, Lincoln Center) to campus for series of lectures dealing with issues of gender, multicultural performance, and urban violence associated with Bradley University production of Lysa Strata. Iben Lectureship - $750. Women's Studies Program - $250. Teaching Excellence Grant for Visiting Minority/Women Scholar Residency - $500. Bradley University. November 1994.
$1250 - Combined grant to attend the Webster University Theatre Movement Institute. Instructional Improvement and Innovation Grant - $650. College of Fine Arts - $300. Department of Theatre Arts - $300. Bradley University. July 1994.
$200 - Research and Sponsored Programs grant. Production research. The Government Inspector. National Actor’s Theatre, New York. Bradley University. January 1993
Academic Travel Grants
$1,000 - Academic Travel Grant to attend 1999 Conference of the Association for Theatre in Higher Education. United University Professionals. SUNY Stony Brook. July 1999.
$500 - Academic Travel Grant to attend 1998 Conference of the Association for Theatre in Higher Education. Department of Theatre Arts. SUNY Stony Brook. August 1998.
$650 - Academic Travel Grant to attend 1997 Conference of the Association for Theatre in Higher Education. Bradley University. August 1997.
$1050 - Academic Travel Grant to attend the 1996 Conference of the Association for Theatre in Higher Education. Bradley University. August 1996.
$850 - Academic Travel Grant to attend the 1995 Conference of the Association for Theatre in Higher Education. Bradley University. August 1995.
$500 - Academic Travel Grant to attend the 1994 Conference of the Association for Theatre in Higher Education. Bradley University. April 1994.
COURSES TAUGHT
SUNY New Paltz
THR 231 Acting I
THR 332 Acting II
THR 362 Improvisation and Performance
THR 305 Musical Theatre Workshop
THR 363 Scene Study
THR 371 Page to Stage: Dramatic Text Analysis
THR 432 Acting 4
THR 465 Theatre 4
SUNY Stony Brook--Undergraduate
THR 100 Performing and Performance
THR 105 Acting I
THR 230 Voice for the Actor
THR 264 Movement Awareness
THR 322 Acting III: Shakespeare, Modern Realism, Brecht
THR 333 Directing I
THR 487 Performance Workshop
SUNY Stony Brook--Graduate
THR 560 The Theory and Practice of Acting
Bradley University
HON 100 Producing Shakespeare
THE 115 Fundamentals of Acting
THE 121 The Creative Process
THE 131 Introduction to Theatre
THE 203 Movement for the Actor
THE 216 Acting III--Advanced Acting & Scene Study
THE 315 Acting IV--Performing Shakespeare
THE 315 Acting IV--Performing Shakespeare
THE 316 Fundamentals of Directing (guest lecturer)
THE 317 Advanced Directing (faculty supervisor)
THE 410 Senior Seminar
THE 415 Acting V--Thesis Performance
THE 498 The Shakespeare Company
Professional Studio and Workshops
Scene Study
Playing Shakespeare
Working as a Professional Actor
Auditioning
Directing
The Anglo-American International School
International Baccalaureate Drama (Eleventh and Twelfth grades)
Creative Dramatics (Junior and Senior High grades)
Humanities (Ninth grade)
English (Seventh, Eleventh, and Twelfth grades)
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SERVICE
SUNY Stony Brook
Undergraduate College Advisory Committee
Middle States Accreditation Subcommittee on the First Year Experience
Director of Advising Search Committee
Provost’s Task Force on Undergraduate Administration
Senate Committee on Undergraduate Admission
Senate Committee on Undergraduate Curriculum
Advisory Committee for Undergraduate Admissions
Staller Center for the Arts Production Committee
Bradley University
Senate
Affirmative Action Committee (chair)
Women’s Studies Program Committee
Curriculum and Regulations Subcommittee on Regulations
Task Force on Retention
College
Bradley University
Dean Search Committee
Curriculum and Regulations Committee
Music Theatre Task Force
Junior Faculty Committee (chair)
Departmental
SUNY Stony Brook
Tenure and Promotions Guidelines Committee
Director of Graduate Studies Search Committee
MFA in Acting Development Committee
Technology Committee
Recruiting
Bradley University
Theatre Historian Search Committee
Director Search Committee
Iben Lectureship
• Guest Artist Recruiter
• Co-Producer
Curriculum
• Course Additions/Modifications
• Development and Innovation Initiatives
Play Selection Committee
Recruiting
• Create/Maintain contact database
• Write/Design marketing material
• Attend High School Theatre Festival
- Present workshops
- Design, organize, staff exhibits
intercollegial/InterDepartmental
Guest Lecturer. CMS 300. SUNY Stony Brook. October 2000.
Guest Lecturer. EHS 100. SUNY Stony Brook. September 2000.
Invited Chorister. Stony Brook Chorale. Winter Concert. Westhampton Church. December 1999.
Soloist-Stony Brook Chorale. Winter Concert. December 1998.
Narrator/Guest Vocalist. Department of Music: “An Evening of Big Band Music.” Bradley University. 1997
Guest Vocalist. Dept. of Music: Music Scholarship Series, “An Afternoon of Opera and Musical Theatre.” Bradley University. 1994, 1996, 1998
Collaborator . Movement for Actors and Physical Therapy. Bradley University. 1995, 1997
Guest Lecturer . Women’s Studies class: Feminist Theatre. Bradley University. 1995, 1996
Guest Lecturer . ENG 115: King Lear and the Shakespearean Stage, Jim Sullivan, Department of English. Bradley University. 1995
Co-teacher. THE 203: Movement for Actors and ART 315: Sculpting. Bradley University. 1995
Guest Performance - Richard III for ENG 349, Dr. Juliette Cunico, Department of English. 1994
Professional Service
Deputy. Showboat. Gateway Playhouse. Bellport, NY. June-July 1999
- Member. Pension and Health Committee. New York, NY. 1988-1990
- Deputy. Vampire Lesbians of Sodom. Provincetown Playhouse. New York, NY. 1988
The Association for Theatre in Higher Education
American College Theatre Festival - Region III Adjudicator. 1996-1998
- Treasurer- Governing Council. 1997-2000
- Member-at-large - Governing Council. 1997
- Forum Representative - Acting Program Focus Group. 1993-1995
- Conference Planner - Acting Program Focus Group. 1995-1997
- Theatre in Education Rationale Task Force. 1995-1997
- Strategic Planning Committee. 1996-2000
- Conference Futures Task Force. 1997-1998
- Development Task Force. 1997-1998
Association of Theatre Movement Educators
Voice and Speech Teachers Association
Society of Stage Directors and Choreographers
Society of American Fight Directors
Theatre Communications Group
Illinois Theatre Association
The Florida ProjectProfessional Theatre Artists Network
Alpha Psi Omega (National Theatre Honorary)Back to Theatre Arts Home Page
Professional Studios
Joel Friedman: Scene Study. New York, NY. 1986-1991
Jana Pivacek: Bel Canto Vocal Studies. New York, NY. 1984-1989
Gillian Goll: Scene Study. New York, NY. 1988-1989
John Guitz: Method Acting. New York, NY. 1985
Workshops and Masterclasses
Teacher Development Workshop. The Actor’s Center. New York, NY. June 2000
-Vjatcheslav Dolgatchev: Moscow Art Theatre Actor Training Technique
-Robert Cohen: Scene Study, Shakespeare/Shaw
-Catherine Fitzmaurice: Voice workshop
Patrick Tucker: Shakespeare Masterclass. American Globe Theatre. New York. September 2000
Webster Movement Institute. Webster University. St. Louis, MO. June 1995
-Karen Bradley, Tom Casciero: Laban Movement Pre-Certification Program
-Jennifer Martin: Period Movement/Period Dance
Webster Movement Institute. Webster University. St. Louis, MO. June 1994
-Tom Casciero: Laban Movement Analysis and Training
-Craig Turner: Martial Arts Training for Actors
-Libby Appel: Character Mask
-Vidisha Mallik and Ed Damron: Commedia Mask
Conference Workshops and Masterclasses
William Esper: Meisner Masterclass. ATHE 2000
Neil Freeman: Shakespeare Masterclass. ATHE 1999
Leon Ingulsrud: Experiencing Viewpoints. ATHE 1999
Augusto Boal: Theatre of the Oppressed Workshop. ATHE 1996
Joanne Akalaitis: The Body in Space. ATHE 1995
Bella Itkin: Scene Study. ATHE 1995
Kathryn Gately, Richard Poole: Meisner Workshop. ATHE 1994
William Shephard: Mythic Performance. ATHE 1994
Will Kilroy, Mala Powers, Lisa Dalton: Michael Chekhov Technique. ATHE 1993
Sonia Moore: Stanislavski Masterclass. ATHE 1993
Kristin Linklater: Shakespeare Sonnets Masterclass. ATHE 1993
Norma Bowles: Commedia Del Arte workshop. ATHE 1992