Professional Resumes
| Acting | Directing | Playwriting | Fight Choreography | Vocal/Dialect Coaching |
New York |
|||
| VAMPIRE LESBIANS OF SODOM | Thick/Etienne/Danny | Provincetown Playhouse | Kenneth Elliott |
| OLYMPUS ON MY MIND | Mercury; Sosia | Lamb's Theatre | Barry Harman |
| (u/s and performed) | |||
| CLEAR ACROSS | Orlando | Harold Clurman Theatre | Jean Giebel |
| (Samuel French One-Act Festival) | |||
| THREE MEN ON A HORSE | Erwin | Walker Street Theater | Joel Friedman |
| IN ORBIT | The Vagabond | Medicine Show Theater | |
| CHATURANGA | The King/The Knight | Our Studios | |
|
|||
| DINNER WITH FRIENDS | Gabe | Nebraska Repertory | Jeffrey Scott Elwell |
| WIT | Dr. Kelekian | Nebraska Repertory | Paul Gaffney |
| TALLER |
He |
Asylum Theatre Company | Deborah Mayo |
| HUCKLEBERRY FINN | Huck | New Globe Repertory | Stuart Vaughan |
| MISALLIANCE | Bentley | Asolo State Theatre | Norris Houghton |
| DARK OF THE MOON | Floyd Allen | Asolo State Theatre | Sheldon Epps |
| SHERLOCK HOLMES | Billy | Asolo State Theatre | John Ulmer |
| A MUSE OF FIRE | Edmund Kean | Asolo Stage II | |
|
|||
| HOW I LEARNED TO DRIVE | Uncle Peck | Long Island Play Project | Gene Terruso |
| SPEED-THE-PLOW | Charlie | Cabaret @ The Spot | Michael Zelenak |
| GET OUT OF THE KITCHEN | Tony | Cabaret @ The Spot | Steve Marsh |
| SHOWBOAT | Jim/Ensemble | Gateway Playhouse | David Armstrong |
| THE KENTUCKY CYCLE | Michael/Joshua Rowen | Bradley University | Nina LeNoir |
| DAMN YANKEES | Mr. Applegate | McLeod Summer Playhouse | Tim Fink |
| RICHARD III | Richard | Bradley University | John Basil |
| BLITHE SPIRIT | Charles | Ensemble Theatre Company | |
| PIPPIN | Pippin | Nettle Creek Players | |
| CHARLEY'S AUNT | Fancourt | Village Playhouse | Donald Rosenberg |
new york workshops |
|||
| CHILDREN OF EDEN | Angel Chorus | Playwright's Horizons | John Caird |
| JUBA | Fogerty | AMAS Rep | Sheldon Epps |
| Electronic Media | Role | Producer | Director |
| LIPA CONSERVATION SPOT | Rick | 30 FPS | Doug Brown Productions |
| LONG ISLAND MUSEUM | Postman/Blacksmith | Stony Brook Historical Society | Doug Brown Productions |
| VIATICA LIFE ASSURANCE | Paul | Viatica, Inc. | |
| 911 TRAINING VIDEO | Roger | City of Peoria | |
| A MUSE OF FIRE | Edmund Kean | Storer Cable | |
| TRULY AMERICAN | Samuel Clemens | PBS-WVIZ |
TRAINING
| Acting | Joel Friedman, Stuart Vaughan, Manuel Duque |
| Workshops | Robert Cohen, Vjatcheslava Dolgatchev, Patrick Tucker, John Basil |
| Voice | Jana Pivacek (Bel Canto), John Franceschina (Musical Theatre), Ruby Allen (Linklater) |
| Movement | Tom Casciero, Karen Bradley (Laban), Norma Bowles (Commedia), Libby Appel (Mask) |
| Dance | Jennifer Martin (Period Styles) Jim Hoskins (Jazz), Phil Black (Tap) |
| Special Skills | Fencing, Stage Combat, Mime, French Horn, Piano, Harmonica, Impressions |
| Dialects | British, Cockney, Irish, German, French, Southern, Brooklyn |
| Long Island, NY | ||
| WHAT REMAINS | Asylum Theatre Company | |
| New York City | ||
| THE RUFFIAN ON THE STAIR | Michael Carson Studios | |
| THE 270TH DAY | by Eva Patton | Avalon Theater |
| STARBLAST! (musical) | by Barry Harman | The Triplex |
| GOOD COPY | by Matt Cutugno | Westbeth Theater |
| THE FLORIDA PROJECT | Scene Showcase '90, '91 | Sanford Meisner Theater |
| THE GESTURE | Staged Reading | Dramatist's Guild |
|
CLASS OF 1991 SHOWCASE |
Houseman Theatre, New York, NY |
THE DIVINERS
LUNATICS, LOVERS AND POETS
PEOPLE NEVER TALK ABOUT THE THINGS THAT REALLY MATTER
THE SUICIDE
THE NEW SEASON
| OLYMPUS ON MY MIND | Lamb's Theater, New York City |
| HAMLET | The Chapin School |
| I HATE HAMLET | The Knox School |
| THE ROVER | SUNY Stony Brook |
| GUYS AND DOLLS | The Knox School |
| THE KENTUCKY CYCLE | Bradley University |
| GOODNIGHT, DESDEMONA | Bradley University |
| AS YOU LIKE IT | Bradley University |
| RICHARD III | Bradley University |
| LUNATICS, LOVERS, AND POETS | Bradley University |
| PETER PAN | Ensemble Theatre Community School |
| THE KNIGHT OF THE BURNING PESTLE | Ensemble Theatre Community School |
| THE VELVET PUMPERNICKEL | Sanford Meisner Theatre |
| CHATURANGA | Our Studios |
| BEDROOM FARCE | SUNY Stony Brook |
| THE KENTUCKY CYCLE | Bradley University |
| THE IMPORTANCE OF BEING EARNEST | Bradley University |
| DANCING AT LUGHNASA | Bradley University |
Original Works
The Velvet Pumpernickel
Equity Showcase Production. Produced by
Ghost Light Theatre. Sanford Meisner Theater. New York, NY. 6-11
March 1990.
The Gesture
Equity Staged Reading Code. Produced by Ghost
Light Theatre. Dramatists Guild. New York, NY. September 1987.
The New Season
Teen Theatre one-act. Commissioned and
produced by Lakewood Little Theater. Beck Center for Performing Arts.
Lakewood, OH. July 1981.
Adaptations
what remains--long island voices of 9/11
A
compilation of
eyewitness and personal testimony chronicling the effect of the World
Trade
Center attack on Long Islanders. Produced
by Asylum Theatre Company. Tour.
September-December 2002
War and Peace
A compilation of text and scenes from the
works of Shakespeare. Produced by Bradley University Department of
Theatre Arts. Tour. November 1995 - April 1996.
Lunatics, Lovers, and Poets
A compilation of text and scenes from the
works of Shakespeare. Produced by Bradley University Department of
Theatre Arts. Tour. November 1994 - April 1995.
Lysa Strata
An adaptation, with music by Michael Leslie
and Paul Kassel, lyrics by Paul Kassel. Produced by Bradley University
Department of Theatre Arts. Meyer Jacobs Theater. Bradley University.
Peoria, IL. 23 February - 3 March
1995.
University Productions
Edmund Kea--A Muse of
Fire
Thesis production. Produced by the Florida
State/Asolo Conservatory. Asolo Stage II. Sarasota, FL. May 1983.
Opening Day
One-act. Produced by Miami University of
Ohio. Studio 88. Oxford, Ohio. April 1981.